Sally struthers chicago




















The show features a score by Brooks and a book by Brooks and the late Thomas Meehan. Theater News. Author Hayley Levitt. Locations Maine. To compensate, however, Sally's baby-doll voice worked extremely well for her in cartoons. She remained active off-camera, providing little girl voices for Saturday morning entertainment, notably her teenage "Pebbles Flintstone" character. In addition to Yo Yogi!

She showed that she had lost none of the fun for which she was known, by providing hearty comedy relief when she joined the prime-time series Nine to Five and as a guest in "Charles in Charge," "Sister Kate" and "Murder, She Wrote.

Over the years, she has patented the by-the-book principal "Miss Lynch", with her many "Grease" tours, and as the scheming orphanage operator "Miss Hannigan" in a number of road productions of "Annie. In , Struthers toured in the 50th anniversary production in the title role of "Hello, Dolly! Divorced, Sally is the mother of one daughter who has made a career for herself as a clinical psychologist.

For years, Sally was a prime spokesperson for the Christian Children's Fund on TV, fervently and often tearfully appealing for viewer's monetary assistance in finding an end to starvation in under-developed countries. Sign In. Edit Sally Struthers. Showing all 34 items. Made her TV debut as a dancer on a Herb Alpert special. Was long-time TV spokesperson for the Christian Children's Fund, appearing in several extended public service spots for them through the s.

She played Miss Lynch for three years in the touring company of "Grease". These commercials began to insinuate themselves into popular culture in the s when the organizations took advantage of the cheap rates offered by the relatively new medium of cable television. The groups also aired their spots late at night, wedged between commercials for music collections and hair products, when fees charged by local affiliates were low, and when several of the commercials were run for free as public service announcements.

Media deregulation has led to a sharp decline in free spots and an increase in cable advertising rates. That has caused the groups to question their reliance on television, although the commercials continue to be a pillar of their fundraising efforts.

Most commercials suggest--and many flatly state--that the dollars donated to such organizations will go directly to a specific child "enrolled" in a sponsorship program. Said Alan Sader, an actor who appears in CCF commercials: "The idea is to make people pick up the phone and sponsor a child.

I don't know that the intention there is to explain it totally. That might be terribly boring when you have 60 to seconds to convey a message. Another mainstay of child sponsorship advertising is celebrity endorsement, a practice that dates to , when royalty attended a fundraising Christmas concert on behalf of the British forerunner of Save the Children. But there are celebrities and there are celebrities, and not all who appear on behalf of child sponsorship groups would make the Hollywood "A" list.

Indeed, actor Cliff Robertson suggested that some actors allow their name to be used by child sponsorship groups for less than charitable reasons. Robertson said that when he made the spot he believed in child sponsorship, but now says he is "disgusted" by the groups' ad campaigns.

Actor Scott Bakula, who appeared in a commercial touting the benefits of his sponsorship of a child through SCF, had not been a sponsor since And that sponsorship was paid for by a Hollywood producer, according to Save the Children. Bakula, through his publicist, declined comment. Ironically, Christian Children's Fund, its ties with Struthers long-severed, now eschews the use of celebrities.

CCF development director Cheri Dahl thinks more celebrities are "something that we hardly need. Struthers, however, presses on at SCF. But her publicist, Sharp, summed up Struthers' contribution. That money was sent on faith that it would reach an African village, a Pacific island or a Latin American slum and, in the language of the Christian Children's Fund, "work a miracle" in the life of the little girl or boy whose photographs and letters are the sponsor's only evidence of the child's existence.

To determine whether such faith is warranted, in Tribune reporters and editors began sponsoring these 12 children through four organizations without any mention of their Tribune affiliation. Last May, with no assistance from the four sponsorship organizations, Tribune reporters set out to learn how the lives of the sponsored children had been affected.

Part One of this special report recounts what the Tribune learned about two of those organizations, Save the Children and Childreach.



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